CLOSE-UP Plein Soleil

Clément’s adaptation of Patricia Highsmith’s 1955 novel is a dazzling sea-blue film noir rehearsing an energetic sort of corruption based on pure cynicism. As in Strangers on a Train, another film about modern anonymity, Highsmith’s sense of decadence is merely the erasure, in plain day, of any pretense to morality, or identity.

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